Sunday, 03. May 2015
05. 06. 14. - 16:15
Haydn Kino is celebrating their 100th anniversary and they want you to join them on an incredible journey to the past. From June 10th to July 11th you will have the opporutnity to see 11 Classic (Digitally Remastered!) Movie Masterpieces!
Back to the Future (10.6): A 1985 comic science fiction film. It was directed by Robert Zemeckis, written by Zemeckis and Bob Gale, produced by Steven Spielberg, and stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover and Thomas F. Wilson. Fox plays Marty McFly, a teenager who is sent back in time to 1955. He meets his future parents in high school and accidentally becomes his mother's romantic interest. Marty must repair the damage to history by causing his parents-to-be to fall in love, and with the help of scientist Dr. Emmett "Doc" Brown (Lloyd), he must find a way to return to 1985. Back to the Future was released on July 3, 1985, and became the most successful film of the year, grossing more than $383 million worldwide and receiving critical acclaim.
Frankenstein (16.6): A 1931 horror monster film from Universal Pictures directed by James Whale and adapted from the play by Peggy Webling, which in turn is loosely based on the novel of the same name by Mary Shelley. The film stars Colin Clive, Mae Clarke, John Boles and Boris Karloff and features Dwight Frye and Edward van Sloan. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort with uncredited contributions from Robert Florey and John Russell. The make-up artist was Jack Pierce. A huge hit with both audiences and critics, the film was followed by multiple sequels and became one of the most iconic horror films in movie history.
Touch of Evil (19.6): A 1958 crime thriller film, written, directed by, and co-starring Orson Welles. The screenplay was loosely based on the novel Badge of Evil by Whit Masterson. Along with Welles, the cast includes Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, and Marlene Dietrich. "Touch of Evil" is one of the last examples of film noir in the genre's classic era (from the early 1940s until the late 1950s).
Vertigo (24.6): A 1958 psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as former police detective John "Scottie" Ferguson. Scottie is forced into early retirement because an incident in the line of duty has caused him to develop acrophobia (an extreme fear of heights) and vertigo (a sensation of false, rotational movement). Scottie is hired by an acquaintance, Gavin Elster, as a private investigator to follow Gavin's wife Madeleine (Kim Novak), who is behaving strangely. The film popularized the dolly zoom, an in-camera effect that distorts perspective to create disorientation, to convey Scottie's acrophobia. As a result of its use in this film, the effect is often referred to as "the Vertigo effect". It received mixed reviews upon initial release, but is now often cited as a classic Hitchcock film and one of the defining works of his career.
Psycho (27.6): A 1960 horror-thriller film directed by Alfred Hitchcock starring Anthony Perkins, Vera Miles, John Gavin, and Janet Leigh. The screenplay is by Joseph Stefano, based on the 1959 novel of the same name by Robert Bloch loosely inspired by the crimes of Wisconsin murderer and grave robber Ed Gein. The film centers on the encounter between a secretary, Marion Crane (Leigh), who ends up at a secluded motel after embezzling money from her employer, and the motel's disturbed owner-manager, Norman Bates (Perkins), and its aftermath. When originally made, the film was seen as a departure from Hitchcock's previous film North by Northwest, having been filmed on a low budget, with a television crew and in black and white. Psycho initially received mixed reviews, but outstanding box office returns prompted reconsideration which led to overwhelming critical acclaim and four Academy Award nominations, including Best Supporting Actress for Leigh and Best Director for Hitchcock. It is now considered one of Hitchcock's best films and praised as a work of cinematic art by international film critics and film scholars. Ranked among the greatest films of all time, it set a new level of acceptability for violence, deviant behavior and sexuality in American films.
The Blues Brothers (2.7): A 1980 musical Technicolor comedy film directed by John Landis and starring John Belushi and Dan Aykroyd as "Joliet" Jake and Elwood Blues, characters developed from "The Blues Brothers" musical sketch on the NBC variety series Saturday Night Live. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, and John Lee Hooker. The film is set in and around Chicago, Illinois, and features non-musical supporting performances by John Candy, Carrie Fisher, Charles Napier, and Henry Gibson. The story is a tale of redemption for paroled convict Jake and his brother Elwood, who take on "a mission from God" to save the Catholic orphanage in which they grew up from foreclosure. To do so, they must reunite their R&B band and organize a performance to earn $5,000 to pay the tax assessor. Along the way, they are targeted by a destructive "mystery woman", Neo-Nazis, and a country and western band—all while being relentlessly pursued by the police.
The Rocky Horror Picture Show (3.7): A 1975 musical comedy horror film directed by Jim Sharman. The screenplay was written by Sharman and Richard O'Brien based on the 1973 musical stage production, "The Rocky Horror Show", also written by O'Brien. The production is a humorous tribute to the science fiction and horror B movies of the late 1930s through early 1970s. It stars Tim Curry, Susan Sarandon and Barry Bostwick along with cast members from the original Royal Court Theatre, Roxy Theatre and Belasco Theatre productions. Although largely ignored upon release, it soon gained notoriety as a midnight movie when audiences began participating with the film at the Waverly Theater in New York City in 1976. Audience members returned to the cinemas frequently and talked back to the screen and began dressing as the characters, spawning similar performance groups across the United States. Still in limited release nearly four decades after its premiere, it has the longest-running theatrical release in film history. Today, the film has a large international cult following and is one of the most well-known and financially successful midnight movies of all time.
Fahrenheit 451 (6.7): A 1966 Dystopian science fiction drama film directed by François Truffaut and starring Oskar Werner, Julie Christie, and Cyril Cusack. Based on the 1953 novel of the same name by Ray Bradbury, the film is about an oppressive future in which a fireman, whose duty it is to destroy all books, becomes a fugitive for reading. This was Truffaut's first color film as well as his only English-language film. At the 1966 Venice Film Festival, Fahrenheit 451 was nominated for the Golden Lion.
Scarface (7.7): A 1983 crime drama film directed by Brian De Palma and written by Oliver Stone. A remake of the 1932 film of the same name, Scarface tells the story of Cuban refugee Tony Montana (Al Pacino) who arrives in 1980s Miami with nothing, and rises up to become a powerful drug kingpin. The film also features Mary Elizabeth Mastrantonio, Steven Bauer, and Michelle Pfeiffer. The initial critical response to Scarface was mixed, with criticism over excessive violence, frequent strong language and graphic hard drug usage. Some Cuban expatriates in Miami objected to the film's portrayal of Cubans as criminals and drug traffickers. Contemporary reviews have been more positive, and screenwriters and directors such as Martin Scorsese have notably praised the movie. It is now considered a classic within the mob film genre and has resulted in many cultural references such as in comic books and video games.
Jaws (10.7): A 1975 thriller film directed by Steven Spielberg and based on Peter Benchley's novel of the same name. The prototypical summer blockbuster, its release is regarded as a watershed moment in motion picture history. In the story, a giant man-eating great white shark attacks beachgoers on Amity Island, a fictional summer resort town, prompting the local police chief to hunt it with the help of a marine biologist and a professional shark hunter. The film stars Roy Scheider as police chief Martin Brody, Richard Dreyfuss as oceanographer Matt Hooper, Robert Shaw as shark hunter Quint, Murray Hamilton as the mayor of Amity Island, and Lorraine Gary as Brody's wife, Ellen. The screenplay is credited to both Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography. Generally well received by critics, Jaws became the highest-grossing film in history at the time, and it was the most successful motion picture of all time until Star Wars. It won several awards for its soundtrack and editing, and is often cited as one of the greatest films of all time.
The Big Lebowsky (11.7): A 1998 crime comedy film written and directed by Joel and Ethan Coen. It stars Jeff Bridges as Jeff Lebowski, an unemployed Los Angeles slacker and avid bowler nicknamed "the Dude." After a case of mistaken identity, the Dude is introduced to a millionaire also named Jeffrey Lebowski. When the millionaire Lebowski's trophy wife is kidnapped, he commissions the Dude to deliver the ransom to secure her release. The plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the full ransom. Julianne Moore, Steve Buscemi, and John Turturro also star, with Philip Seymour Hoffman, David Huddleston, and Tara Reid appearing in supporting roles. There is some narration at the beginning and towards the end by a cowboy known only as "The Stranger," played by Sam Elliott. The Big Lebowski was a disappointment at the U.S. box office and received mixed reviews at the time of its release. Reviews have tended towards the positive over time and the film has become a cult favorite, noted for its idiosyncratic characters, dream sequences, unconventional dialogue, and eclectic soundtrack.
Don't miss out on this fantastic chance to watch the films that have played a major role in transforming the world of cinema for decades! The tickets costs 9€ and every movie will be shown at 8:30pm.
Haydn Kino @ Mariahilfer Straße 57, 1060 Vienna, Austria
Phone: +43 1 587 22 62 / http://www.haydnkino.at
Become a fan of the Haydn Kino: www.facebook.com/englishcinemahaydn
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